Black Diaspora in Literature | Essay

Black Diaspora in Literature | Essay â€Å"Survivors. In their diasporan souls a dream like steel† (Caryl Phillips, Crossing the River). This paper discusses in what senses post-slavery literature is structured by the idea of a diaspora. The book looks at two main texts, Crossing the River by Caryl Phillips and Praisesong for the Widow by Paule Marshall, using the books The Black Atlantic: Modernity and Double Consciousness by Paul Gilroy and Black Imagination and the Middle Passage, edited by Maria Diedrich as secondary sources. The paper concludes that the diaspora, a key event in black history, is fundamental to many authors in terms of providing a framework on which to discuss issues of importance to the black community, for example, history, memory, cultural identity, cultural heritage, heritage. As Gilroy argues in his book The Black Atlantic: Modernity and Double Consciousness, â€Å"The specificity of the modern political and cultural formation I want to call the Black Atlantic can be defined, on one level, through a desire to transcend both the structures of a nation state and the constraints of ethnicity and national particularity. These desires are relevant to understanding political organising and cultural criticism. They have always sat uneasily alongside the strategic choices forced on black movements and individuals embedded in the national and political cultures and nation-states in America, the Caribbean and Europe† (p.19). Thus, as Gilroy argues, because of the black diaspora, black academics and black writers and artists have travelled and worked within what he terms a trans-national framework that, itself, precludes anything but only a very superficial association of their country of origin. Thus, as Gilroy argues, black post-slavery literature can only be understood in the context of a diaspora, as it is created within the framework that was created by this diaspora. It is, as argues Gilroy, â€Å"a preoccupation with the striking doubleness that results from this unique position – in an expanded West but not completely of it – is a definitive characteristic of the intellectual history of the Black Atlantic† (p.58). Diedrich’s edited volume Black Imagination and the Middle Passage examines the very specific period covering the forced dispossession of the Middle Passage, and analyses the arts (music, literature, dance etc.) that were created, on the transatlantic journey and on the continents in which the slaves were kept, and in the home continent upon their return. The book aims to represent the cultural conscience of the diaspora, as represented not only in the arts but also in myth and history, as a way of analysing what the diaspora meant for this group of people who were forcefully removed from their culture, and then had to live adrift from their culture. Many of the contributions in Diedrich argues, similarly to Gilroy, that the diapsora was a key event in the development of black literature, defining, as it does, a framework for creativity, through analyses of violence, of culture, of trans-national thinking and working. This idea is, again, highlighted in many other literary crit icisms[1]. Caryl Phillips book Crossing the River takes marginalisation and racism as central themes, using his central characters, Martha and Joyce, to explore these issues: Martha is a black woman dealing with racism in North America before and after slavery’s abolition, and Joyce, the white woman who is marginalised following her falling in love with a black man (Martha’s brother, Travis). We see, in the novel, how Martha was sold by her father, Nash, along with her two brothers, Nash and Travis, in to slavery, how Martha is separated from her children, separating her family, as occurred with many other hundreds of thousands of black families, and the novel deals a great deal, from this point on, with memory – her memory of her family, her memory of her loss, her memory of her culture that she has left behind. She grieves not only for these losses, but also for her own loss of dignity, through her placement in to slavery, and for her need to live alone, following aboliti on, no longer physically enslaved, bur emotionally enslaved by her losses and by the fragmented community in which she, and all freed slaves were forced to live. Her story does not end there, and we see the hurt and terrible conditions in which she was forced to live, post-slavery, through Phillips’ descriptions of her surroundings, and the murder of her new partner, Chester. Phillips uses several postmodern techniques to highlight all of the disjointed emotions that Martha feels, such as switching backwards and forwards across time in order to highlight how Martha reacts and feels about events, or the use of many voices in the novel (Martha, Joyce, Nash and others) in order to reiterate the fact that the novel is concerned with many people’s history – indeed, a whole generation’s history, of those people of a certain race who were forced in to slavery, and who, then, were forced in to submission for many years in a racist North American society. The James Hamilton character, the slave trader, is used by Phillips to introduce the ‘dirty’ side of slavery; with his orders for disposal of slaves (i.e., murder of slaves) and his colonial presence. Phillips’ deconstruction of Hamilton’s character, through movements across time, is a way for Phillips to explore history, as he sees it, as a re-definable present, no t an uninterpretable, unchangeable, past. Thus, Phillips’ novel Crossing the River looks at issues of slavery, racism, marginalisation using several main characters, all of whom are intertwined and all of whom are bound together by the main focus of the novel – slavery. Slavery is the theme which binds the book together, allowing Phillips to discuss issues such as cultural transpositions and the ‘diaspora’. Phillips does not, however, simply recount historical accounts of the lives of his main characters, the characters come alive through his particular sort of storytelling, which is argued by many to have an African slant i.e., it has a circular quality that is present in many African cultures in which storytelling is strong. Phillips also leaves as much untold as he tells, whilst giving historical facts surrounding the characters lives, allowing the reader to fill in the gaps and build their own version of the diasporan framework. For example, Nash’s freedom and journey to Liberia as a mis sionary poses many questions for Nash, leaving him, as it does in Africa, but in a foreign land, sometimes feeling more American than African, although as Nash points out, that is ridiculous, he is not American, any more than he is Liberian. This leaves the reader pondering ideas of culture and roots and what effects the diaspora had on the many hundreds of thousands of slaves who were displaced from their homes and forced to work, and then live freely, in a strange country, something which is reinforced, as we have seen by the character of Martha who, as we have seen, feels more for the loss of her daughter to slavery than she does for the loss of her freedom and her displacement. Thus, Phillips succeeds in showing the very human face of slavery, in terms of personal losses, not just the ‘wider’ academic picture of slavery as an exercise in intellectualising the diaspora in terms of its cultural conscience. Paule Marshall’s fiction has been described by Denniston (1995) as â€Å"an imaginative reconstruction of African history and culture, which connects all people of African descent†. Her book Praisesong for the Widow, captures African cultural patterns in contrast with North American materialism, and, as Denniston (1995) argues, through this, Marshall â€Å"reclaims African culture for black diasporan peoples†. As such, this type of fiction is not just African or black – it captures the dynamics of human struggle and so is universal. Many black commentators have denigrated this interpretation of this type of fiction, arguing that these arguments are little more than veiled racism, intended to belittle the worth of the intellectual exercise, i.e., the understanding of African history in terms of the diaspora, by reducing the arguments in these novels to universal arguments about reactions to oppression, not, as they are intended to be, arguments about black responses to the diaspora. Marshall’s novel Praisesong for the Widow also, similarly to Caryl Phillips in his Crossing the River, discusses the role of memory in the lives of the characters in the book, describing how Avey sees her body as nothing more than a repository of memory, in which physical sensations are nothing more than a way of recording emotional feelings; through this realisation, Avey comes to terms with her displacement from her natural society, and comes to accept her heritage. Through Avey’s slow realisation of her body as a respository for memory, Marshall echoes the disconnection of herself from her native culture, and thus from herself as a woman born in the Caribbean but sold to slavery in North America. Marshall uses Avey’s physical discomforts, which are described in graphic detail in the novel, to echo her disconnection from her culture, her heritage, and her subsequent journey to well-being is representative, for Marshall, of her restoration of her sense of cultur al inheritance. In addition to Marshall’s use of Avey’s body as a metaphor for displacement and representations of heritage and disposition, in terms of the slave’s body being enslaved, but their mind being free to wander, to develop, to grow, Avey’s physical journeys also somewhat recreate the journey’s her people took as slaves as a way for Marshall to explore the cultural disinheritance of the African people’s through the African diaspora[2] and the slaves’ reconnection with their heritages following their freedom. Avey’s memories are representative of African slaves memories, therefore – they were the only free part of them under the regime of slavery, and, for some slaves, whose histories were suppressed and sanitised, their only history was the one that their memory provided. As with Martha in Phillips’ novel, memory was, however, often too painful, for example, the memory of her lost daughter, with these ‘personalâ₠¬â„¢ memories being far more painful than memories of lost culture or memories of ‘home’. Avey’s constant opposition to recognising her heritage allows Marshall to explore the difficulties faced by ex-slaves when thinking about returning home, or settling in a foreign land under adverse, racist, circumstances. Avey cannot face the idea of acknowledging her heritage, as she is, as she sees it, happy as she is, without knowledge of what happened to her ancestors. Avey has constructed a life for herself based on an omission of her heritage, as a way of coping with the enormity of what happened to her family, her ancestors; her excessive consumption has blinded her to her heritage. Marshall thus seems to be suggesting, then, that the American way of life, of materialism and of consumerism, has a dulling effect, of smoothing cultural differences, and, indeed, the ‘American’ way is all-pervasive, a base laziness which calls to people’s sloth-like si des, and, through this, infiltrates every society in which it comes in to contact. As we have seen, therefore, the work of Phillips and Marshall both deal with the idea of slavery, of the diaspora, of the marginalisation felt by freed slaves in a foreign country, of ideas of cultural heritage. Both books, both examples of post-slavery literature, therefore, deal specifically with the issue of the diaspora, and what effects this had, and has, on the lives of slaves, and freed slaves, and the descendents of slaves. Phillips is, however, somewhat more concerned with the effect of loss on the lives of freed slaves than Marshall, who embodies his ideas within a character who is somewhat immune, for most of the book, to emotions. In terms, therefore, of the senses in which post-slavery literature is structured by the idea of a diaspora, as we have seen, for many authors who are concerned with this issue, through their heritage or for whatever other reason, their literature is framed by the idea of the diaspora: this is the central framework from which all other ideas con nected to this hang. The diaspora acts as a backdrop, if you like, against which all other ideas connected to this (for example, heritage, cultural identity etc.) are understood. It is the understanding of all of these other concepts (for example, heritage, cultural identity etc.) which gives thrust to the work of such authors, and through a search for an understanding of these ideas, it is hoped that the diaspora will be understood, can be come to terms with; much as Avey’s illness is characteristic of an emotional need to know of her heritage, the diaspora is, for many authors and black academics, the tool that is used to gain understanding in to black history, both in countries of origin, and in the countries in which slaves were taken, post-slavery. In terms of the senses in which post-slavery literature is structured by the idea of a diaspora, as we have seen, as Gilroy argues, black post-slavery literature can only be understood in the context of a diaspora, as it is created within the framework that was created by this diaspora. It is, as argues Gilroy, â€Å"a preoccupation with the striking doubleness that results from this unique position – in an expanded West but not completely of it – is a definitive characteristic of the intellectual history of the Black Atlantic† (p.58). Thus, for Gilroy, the diaspora is essential, fundamental, to an understanding of black history. As we have seen, Diedrich’s edited volume Black Imagination and the Middle Passage concludes, similarly to Gilroy, that the diaspora was a key event in the development of black literature, defining, as it does, a framework for creativity, through analyses of violence, of culture, of trans-national thinking and working. Thus, the diaspora, a key event in black history, is fundamental to many authors in terms of providing a framework on which to discuss issues of importance to the black community, for example, history, memory, cultural identity, cultural heritage, heritage. As we have seen in this paper, these issues provide literary fuel for many authors, and critics, and two of the most representative novels in terms of these issues, Crossing the River by Caryl Phillips and Praisesong for the Widow by Paule Marshall, have been analysed and used to illustrate how black authors use the diaspora in this way, i.e., to discuss issues of importance to the black community, for example, history, memory, cultural identity, cultural heritage, heritage. For many authors, writing about these issues is a way of dealing with these issues for themselves personally and, as such, such books provide solace for many blacks who live with the diaspora, and its effects, as part of their history. References Denniston, D.H., 1995. The fiction of Paule Marshall: reconstructions of history, culture and gender. University of Tennessee Press. Diedrich, M. (ed.)., 1999. Black Imagination and the Middle Passage. Oxford University Press. Gilroy, P., 1993. The Black Atlantic: modernity and double consciousness. Verso Books. Marshall, P., 1983. Praisesong for the Widow. Putnam Press. Phillips, C., 2006. Crossing the River. Penguin Paperbacks. Rogers, S., 2000. Embodying cultural memory in Paule Marshall’s Praisesong for the Widow. African American Review Spring 2000. Footnotes [1] See, for example, Writings on Black Women of the Diaspora: History, Language and Identity, by Bracks; The African Imagination: Literature in African and the Black Diaspora by F.Abiola Irele, and Brent Hayes Edwards’ The Practice of Diaspora: Literature, Translation and the Rise of Black Internationalism. [2] See Rogers (2000) for further exploration of this concept.

Mgt/230 Week 1 Assignment

Mgt/230 Week 1 Decision Making Process Paper University of Phoenix People should make decisions every day, some of those decisions are easy to make, while others are quite difficult to implement. An appropriately combined and organized decision-making process will help to control this issue and bring a positive outcome for those involved. The decision-making process may become challenging for people due to â€Å"the lack of structure and entail risk, uncertainly and conflict† (Bateman and Snell, 2012, p. 86).That is why people trying to make important personal or professional decisions should have an appropriate model to follow in order to avoid these challenges. Bateman and Snell identified six steps or stages of decision-making process which may be attached to any problem or decision. First, it is necessary to identify and analyze the problem. The problem at hand for me was the necessity to purchase my own home. In 2002 I was renting a home in a small city with my husband an d son living there as well. The house was also shared with my Mother-in-Law, and it was too small for all four of us to share.My husband and I realized after a short period of time that this living situation was not going to work out and that we should start looking for a place of our own. Since I am an animal lover and was the owner of one horse and one dog at that time, finding a home that also had a small amount of acreage was also necessary to accommodate us all. Generating and evaluating alternative solutions (steps 2 and 3 in the decision making process) was really not an option for us as we knew exactly what we would have to do if we were to obtain the right place for all of us to live.The only alternative solution in this situation would have been to rent a large piece of property with a larger home and we had come to a point in our lives where purchasing seemed like the better investment. Step 4 in the decision making process is, making the choice. We searched around for ju st the right place to purchase. It took several months of searching before we happened upon the home we ultimately chose. The house wasn’t quite as big as we were hoping for but we thought we could build an addition and do some remodeling to make it perfect.The property attached to the house was large enough to house my horse and our dog, and for my son to play. The decision was made, we were purchasing this house. Step 5 in the process is implementing the decision. After the decision was made to purchase our new home, we set up meetings and appointments with the realtor, our bank and our lawyer to finalize paperwork on the loan and other necessities. All paperwork was signed and keys were handed over to us about a month later. Once the house was ours we quickly made the necessary changes so that it would accommodate our entire family, by adding an extra room and re-painting the entire house.We built a barn to house the horse and put in a shed for storage. We thought it was p erfect. Step 6 in the process is evaluating the decision. Shortly after purchasing our home and property everything was going well, and this continued for many years to come, even though it was probably more work than we had initially expected, we were happy with our decision. Living in the country on our own farm with barely a neighbor to be seen was definitely the way to go. Looking back on this decision some 10 years later, I still believe I made the right decision even though my life has completely changed since that time.The house and property suited us very well up until about 4 years ago after my divorce. I see now that the house is not nearly large enough for my even larger family. Since my divorce I have had two more children and am getting re-married and this home is not nearly large enough for five people, especially if we have guests over for holidays or birthdays. We are currently in the decision making process once again, that being the possible purchase of yet another , larger, home and more acreage as the number of farm animals has grown over the past 10 years as well.Having the information that I do now, in our readings, I am going to go through the steps one by one and be sure that my ultimate decision will be the right one and that this new place (if we purchase one) will be perfect for more than 10 years. References Bateman, T. S. , & Snell, S. A. (2010). Management: leading & collaborating in a competitive world (9th ed. ). Retrieved from The University of Phoenix eBook Collection database.

Egypt & Mesopotamia

Mesopotamia was a continent in Africa. It’s between the Persian Gulf and the Medertian Sea, surrounding the Tigris and Euphrates Rivers. Egypt is also a continent in Africa it is near the Nile River. Mesopotamia and Egypt were different in terms of geography because Egypt’s geography had Mesoamerica the Tigris, and Euphrates rivers and the Nile River, as well as annual Nile flooding. On the other hand Mesopotamia’s geography had Mesopotamia the Tigris and Euphrates rivers, and river valleys. Mesopotamia was a region of the Middle East, located between the Tigris and Euphrates rivers that today are a part of Iraq.The Greek word meso meaning â€Å"between† and potams meaning â€Å"river†, also known as the Fertile Crescent. This area was home to numerous things. Civilizations, plus revolutionized agriculture, city planning, and written alphabet. Egypt was a narrow strip of land along the Nile River. Each year the Nile River would floods leaving behind a fertile fringe of soil. They called it â€Å"the black land† and the deserts all around the Nile were called â€Å"the red land†. Mesopotamia and Egypt were different in terms of cities and states since Egypt had Babylon, Assyrian, and Nubian Kingdom of Ta-sati Persian rue in Egypt pharaoh.And Mesopotamia’s cities and states had Tikal, Sumer, Ur Nubian kingdom of Kush, roman conquest, and Nobel sudden. Mesopotamia was established by the Sumerians by the middle of the 4th millennium B. C. Egypt was founded around 3000 B. C. E when Upper Egypt and Lower Egypt combined into one whole kingdom. Egypt’s history is divided into three parts. Old kingdoms, middle kingdoms, and new kingdoms. During each of these periods’ different dynasties of pharos ruled. Mesopotamia and Egypt were different in terms of interaction and exchange because Egypt had grounds, watermelon, donkeys, and cattle.Mesopotamia had commerce, culture, flower, barley, gourds, watermelo ns, donkeys, and cattle. Mesopotamia is in between the Tigris and Euphrates rivers in the Middle East. It is referred to as modern day Iraq and parts of Syrian, Iraq, and turkey. It’s also known as the cradle of civilization. Many things were invited in Mesopotamia like writing, the wheel, the first laws, the first library, the first cities and much more. Also it’s important because they were not divided in politics or religion. They also believed in their own gods and followed directions of their pharaoh.Egypt and Mesopotamia have a few things in common and some things they have nothing in common. A few things they have in common are they both have a large river system, the Nile river runs through Egypt and the Tigris and Euphrates river runs between Mesopotamia. They also have flooding, hot, and sunny climate. They both have their own alphabet, Egyptians use hieroglyphics and Mesopotamians use cuneiform. Some things the two don’t have in common are tools, diff erent languages, and believed in different things. Egypt & Mesopotamia Mesopotamia was a continent in Africa. It’s between the Persian Gulf and the Medertian Sea, surrounding the Tigris and Euphrates Rivers. Egypt is also a continent in Africa it is near the Nile River.Mesopotamia and Egypt were different in terms of geography because Egypt’s geography had Mesoamerica the Tigris, and Euphrates rivers and the Nile River, as well as annual Nile flooding. On the other hand Mesopotamia’s geography had Mesopotamia the Tigris and Euphrates rivers, and river valleys.Mesopotamia was a region of the Middle East, located between the Tigris and Euphrates rivers that today are a part of Iraq. The Greek word meso meaning â€Å"between† and potams meaning â€Å"river†, also known as the Fertile Crescent. This area was home to numerous things. Civilizations, plus revolutionized agriculture, city planning, and written alphabet. Egypt was a narrow strip of land along the Nile River.Each year the Nile River would floods leaving behind a fertile fringe of soil. They called it â€Å"the black land† and the deserts all around the Nile were called â€Å"the red land†. Mesopotamia and Egypt were different in terms of cities and states since Egypt had Babylon, Assyrian, and Nubian Kingdom of Ta-sati Persian rue in Egypt pharaoh. And Mesopotamia’s cities and states had Tikal, Sumer, Ur Nubian kingdom of Kush, roman conquest, and Nobel sudden.Mesopotamia was established by the Sumerians by the middle of the 4th millennium B.C. Egypt was founded around 3000 B.C.E when Upper Egypt and Lower Egypt combined into one whole kingdom. Egypt’s history is divided into three parts. Old kingdoms, middle kingdoms, and new kingdoms. During each of these periods’ different dynasties of pharos ruled.Mesopotamia and Egypt were different in terms of interaction and exchange because Egypt had grounds, watermelon, donkeys, and cattle. Mesopotamia had commerce, culture, flower, barley, gourds, watermelons, d onkeys, and cattle.Mesopotamia is in between the Tigris and Euphrates rivers in the Middle East.  It is referred to as modern day Iraq and parts of Syrian, Iraq, and turkey. It’s also known as the cradle of civilization. Many things were invited in Mesopotamia like writing, the wheel, the first laws, the first library, the first cities and much more. Also it’s important because they were not divided in politics or religion. They also believed in their own gods and followed directions of their pharaoh.Egypt and Mesopotamia have a few things in common and some things they have nothing in common. A few things they have in common are they both have a large river system, the Nile river runs through Egypt and the Tigris and Euphrates river runs between Mesopotamia. They also have flooding, hot, and sunny climate. They both have their own alphabet, Egyptians use hieroglyphics and Mesopotamians use cuneiform. Some things the two don’t have in common are tools, differe nt languages, and believed in different things.

What Is Deploying A Virtual Machine - 935 Words

Task 3 Short Description of Task Deploying a virtual machine from a template. Long Description of Task A new virtual machine will be deployed from a template that has been prepared before. This procedure will save time and simplify the creation of virtual machines as new virtual machines have already configured with the virtual hardware, installed software, and other properties contained in a template. Pre-Implementation Test Plan †¢ Ensure that all servers for infrastructure are running. †¢ Ensure that a template is created and customization specification exists. Implementation Plan †¢ Open a web browser on the client machine and type https://IP-address (or hostname of VCSA): 9443/vsphere-client in the address bar. †¢ Enter user credentials†¦show more content†¦Ã¢â‚¬ ¢ Right-click on the machine, chose power on and then open the console to make sure that the machine is running without any issues. Backout Plan †¢ Open vSphere Web Client. †¢ Open Home menu and select vCenter – VMs and Templates – Datacenter_name – VM_folder and expand the folder pane that was used for the VM. †¢ Right-click the VM and choose All vCenter Actions – Delete from Disk. Click Yes. †¢ Check the Recent Tasks pane for completion. Task 4 Short Description of Task Creating a high availability cluster. Long Description of Task By using vSphere Web Client, create a new high availability cluster that enables ESXi hosts to work together and provide the high level of availability for virtual machines. That procedure will able to add hosts in the cluster and allow to minimize the amount of downtime when system components will fail. Pre-Implementation Test Plan †¢ Ensure that all servers for infrastructure are running. †¢ Hosts have access to the same storage location. †¢ Hosts have identical virtual network configuration. †¢ All hosts can resolve each other by using DNS names. Implementation Plan †¢ Open a web browser on the client machine and type https://IP-address (or hostname of VCSA): 9443/vsphere-client in the address bar. †¢ Enter user credentials for vSphere Web Client connection to vCenter Server with permission to create vSphere HA clusters. †¢ Click Login button. †¢ Click Home menu. †¢ Select vCenter – Hosts and Clusters. †¢Show MoreRelatedImpact Of Technology On New Business Models980 Words   |  4 Pagesrequire a new class of software. Applications were once primarily composed of a single software instance running on a limited number of machines. Today, software and workloads like Cloud, Big Data The Internet of Things (IoT) have expanded the mix to be made up of multiple software components and integration points across thousands of physical and virtual machines. Software is getting ‘Big’ and within many organizations it has created an efficiency challenge and opportunity. 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